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Dining chairs

Model D

by Bart Vos

‘Keep it simple’: with the ‘Model D’, Bart Vos brought the concept of a chair back to its bare bones, using as little material as possible. The end result is a light and airy, inviting and comfortable chair, that will easily adapt to any environment, whilst still holding its own in quality and looks. Originally designed in aluminium, today’s ‘Model D’ comes in tactile wood.

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Details & downloads



Wooden frame with polyurethane foam in varying densities for optimum support and comfort, wrapped in hypoallergenic polyester fibre, 100% cotton inner cover.
Solid wood (walnut or ash).
Composition depends on the customer’s choice of upholstery. Fabrics are available in both natural and man-made fibres. Leathers are either aniline-dyed or aniline-dyed and topcoated.
Hand made in Italy.


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Natural walnut or ash white wash (both protected by a matt varnish).
Fixed, available in all fabrics and leathers from the LINTELOO collection. Customers can opt to supply their own choice of upholstery fabric/leather. Please note: leather upholstery requires more (visible) seams than fabric upholstery. For an impression of LINTELOO's fabrics and leathers, see 'Materials' at
Special features
Chair comes with Teflon gliders. Other gliders available on request.

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Bart Vos

Talk about design being part of your genetic makeup: his father was renowned designer Henk Vos, one of his brothers is equally renowned designer Roderick Vos. As a matter of fact, Bart Vos is preceded by no less than three generations of furniture makers.

It was only a couple of years since Bart graduated from the Royal Academy of Art in The Hague, when his father asked him—aged just 24 at the time—to design the ground-breaking Maupertuus building for the Vos emporium in Groningen.

Today, Bart is Vos Interieur’s creative director, responsible for interior design projects in the Netherlands and abroad. And he regularly turns his hand to furniture, for various international brands, including Linteloo. His awareness of and interest in ‘the real world’, outside the confines of a showroom or studio, shine through in his designs: extremely beautiful yet utterly useable.

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