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San
If there is one thing that defines Japanese aesthetics, it is that unique combination of seemingly simple lines and intricate craftsmanship. Dutch designer Roderick Vos took this centuries-old adage on board for his ‘San’ coffee tables. The oak veneer shows the saw marks—another typically Japanese design feature, celebrating the material and the artisans transforming it. ‘San’ is Japanese for ‘three’ and the three-dimensionality of these two-tier tables is underlined by the angle at which the top is set over the lower shelf. Inspired by the art of origami (paper folding), these angles allow you to create a wide range of interesting shapes, using two—or more—‘San’ tables.
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Studio Roderick Vos
Studio Roderick Vos is a Netherlands-based design studio led by Roderick Vos and Claire Vos. Working across lighting, textiles, accessories and furniture, the studio is known for its rigorous research and hands-on approach to technology, material and colour—always anchored in craft.
Roderick Vos (Groningen, 1965), a graduate of the Design Academy Eindhoven, shaped his design language through an early formative period in Japan, developing a lasting affinity with Asian culture and making. His philosophy centres on humility and emotion: clear, simple forms with presence—objects that don’t need explanation, but speak through use.
Claire Vos (Tegelen, 1965) brings a deeply rooted textile sensibility, reinterpreting traditional techniques, colourings and forms into contemporary, almost graphical compositions. With a background shaped by Italy, Switzerland and Indonesia, her work bridges artisanal knowledge and modern production. In projects such as Liquid Layers for Moooi, she explores new digital approaches to pattern design and material expression.
Founded in 1999 and based in Nijmegen, the studio’s work is held in collections including the Stedelijk Museum Amsterdam and the Museum of Arts & Design New York
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