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Your feedbackRoderick Vos about the design process of his coffee table 'SAN'
'The idea for this table emerged in the wood factory, when I was looking at a CNC (computer numerical control) router, cutting an angled pattern in a rectangular plane. Actually, this is how most of my ideas come about, from LINTELOO’s ‘Isola’ to the ‘San’. I am just not the kind of designer who can simply sit at his desk and start drawing. I have to go out, on an adventure. And factories are where it all happens. For me, that is where I get the best ideas for an interesting design. I am more of a do-er, and this process suits me best.
I realized I could use my basic concept for a series of coffee tables, with an exciting, Escher-esque feel. Plus, I had never seen a table like it, which triggered me to delve in deeper. I don’t enjoy ‘repeating’ what has already been done by other designers. I really want to add something new.'
'Strangely, this concept brought back childhood memories. Folding paper airplanes, in a way that reminds you of Japanese origami. Beauty can often be so simple. It is as if you are folding a sheet of paper in half, but not perfectly, so that the corners do not match up. This is the basic principle of San’s design—a sort of origami, but with wood rather than paper.
By folding the flat 2D rectangle over three times, and each time slightly off-kilter, this 3D image emerges, with the two-tiered tabletop protruding over the sides. And once I had developed this idea, I realized that these 3D elements could then be used as jigsaw pieces, creating all kinds of interesting configurations. I love it when a design leaves room for personal input from the end-user, allowing people to add a playful element to their interior. With just two elements, you can create five different arrangements. But obviously, using just one already adds excitement to a room—great to look at and definitely a conversation piece. In my opinion, this typifies the LINTELOO collection: playful and iconic.'
More about SAN More about Studio Roderick Vos
Studio Roderick Vos
Studio Roderick Vos is a Netherlands-based design studio led by Roderick Vos and Claire Vos. Working across lighting, textiles, accessories and furniture, the studio is known for its rigorous research and hands-on approach to technology, material and colour—always anchored in craft.
Roderick Vos (Groningen, 1965), a graduate of the Design Academy Eindhoven, shaped his design language through an early formative period in Japan, developing a lasting affinity with Asian culture and making. His philosophy centres on humility and emotion: clear, simple forms with presence—objects that don’t need explanation, but speak through use.
Claire Vos (Tegelen, 1965) brings a deeply rooted textile sensibility, reinterpreting traditional techniques, colourings and forms into contemporary, almost graphical compositions. With a background shaped by Italy, Switzerland and Indonesia, her work bridges artisanal knowledge and modern production. In projects such as Liquid Layers for Moooi, she explores new digital approaches to pattern design and material expression.
Founded in 1999 and based in Nijmegen, the studio’s work is held in collections including the Stedelijk Museum Amsterdam and the Museum of Arts & Design New York
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